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“Henry Darragh: Composer, pianist, trombonist, vocalist. Quadruple threat. Henry Darragh: Our new favorite musician.”
Shea Serrano, HoustonPress

:…to my ears (which have a mind of their own), I hear a little Michael Franks, definitely some Harry Connick Jr., and even a bit of Bob Dorough in Darragh’s tone and phrasing. He’s also a fine piano player, and remains a formidable trombonist as well.”
Chris Becker, CultureMap

Henry’s strength as a composer is his ability to write about situations everyone can identify with. For example Regret is a song about the regrets of being afraid to talk to a woman you like, just to ask yourself later, what if?
Wilbert Sostre, JazzTimes

Henry’s debut album, Tell Her For Me was voted one of the best Houston albums of the Decade in 2009. “…Henry Darragh, a young dude who put out an accessible album of originals and standards this year. He has a voice like Chet Baker, but looks a good deal better, and, hopefully, has the patience to put up with a city that hasn’t shown a great affinity for real jazz in decades.”
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Same Testimonials but Boxed:

“Henry Darragh: Composer, pianist, trombonist, vocalist. Quadruple threat. Henry Darragh: Our new favorite musician.”
Shea Serrano, HoustonPress

:…to my ears (which have a mind of their own), I hear a little Michael Franks, definitely some Harry Connick Jr., and even a bit of Bob Dorough in Darragh’s tone and phrasing. He’s also a fine piano player, and remains a formidable trombonist as well.”
Chris Becker, CultureMap

Henry’s strength as a composer is his ability to write about situations everyone can identify with. For example Regret is a song about the regrets of being afraid to talk to a woman you like, just to ask yourself later, what if?
Wilbert Sostre, JazzTimes

Henry’s debut album, Tell Her For Me was voted one of the best Houston albums of the Decade in 2009. “…Henry Darragh, a young dude who put out an accessible album of originals and standards this year. He has a voice like Chet Baker, but looks a good deal better, and, hopefully, has the patience to put up with a city that hasn’t shown a great affinity for real jazz in decades.”
29-95


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